2011
HOUSING OF 2011
In the spring of 2011 I moved out of the place where I had been living four and a half years (was it really that long?!!!). I never felt like it was really my home, so it was actually somehow a relief – finally what I’d been expecting to happen any time came true. One of the things I like about moving is that it’s a great opportunity to get rid of all the things I don’t really need. In 2011 I “downsized” from a large room + kitchen to an already furnished and equipped 20 m2 trailer …
That’s right, I spent the summer and fall at a trailer on a small garden plot outside the city. I started renting the place in the summer of 2010, and spent the fall fixing it up. In 2011 finally came the time to live there properly over the warmer half of the year. It was as awesomepants as it sounds, but a lot of the time I was in denial – nooo, there is just no way that my life could be that perfect!!!!1 – so I was mostly focusing on the few negative aspects of the situation, such as loneliness and too much rain and relationship crap and getting lyme disease.
When I moved to Berlin five years ago and my life suddenly was so much better than before, I had a similar depression, so in 2012 my life at the trailer will probably feel even nicer. :3
In any case, unlike my old apartment, my trailer really does feel like “my home”, as much as is possible when you rent a place, anyway. I have a contract that goes one year at a time, so nobody can kick me out anytime soon.
I’ve been planning to write some sort of deeper exploration about all the actually very important political and emotional aspects of my very independent living situation at this place. Some day …
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WORKING OF 2011
The spring was madness. Then, for the rest of the year, I had earned so relatively much money, and I spent so little money on rent, that I could work less dayjobs and focus more on my own art.
Some highlights from my dayjobs this year were Hair Shirt (my first 100% hand lettering job O_o), B. Traven (about the anarchist writer in Mexico), Coraline, and The Red Monkey Double Happiness Book (not yet published).
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PROTESTING OF 2011
I did my own little part in the Arab spring by joining the local protests in Berlin for freedom and justice in Egypt …
Later on I joined “Occupy Berlin” and stared down the Reichstag.
Otherwise, my entire existence is in its own little way an act of protest and resistance against the oppressing powers that be.
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COMICS CREATING OF 2011
I was focusing mostly on Driftwood, my “love child” that I’ve been drawing since 1996. It’s going to be concluded disturbingly soon (I’m in the middle of the last chapter now). I’ll collect the whole comic in a 500 page book next year. Exciting!
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ANIMALS OF 2011

I interacted with lots of different animals in my garden. I found a way to coexist peacefully with the slugs that wanted to eat all my vegetables, and I watched hedgehogs, frogs, toads, spiders and many other little creatures.
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EXPLORING OF 2011
Probably the most interesting abandoned place I explored this year was a Soviet garrison where a tank battalion used to be stationed.
There was even a little Soviet “furgonchik” near the garages:
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EVENTING OF 2011
In Sweden, I organized a live drawing event at SPX11, talked and comic battled at the Gothenburg book fair, and took part in the first ever edition of the Gothenburg comics festival.
Internationally, my zines were exhibited in Paris and I sold some zines at Tampere kuplii.
In Berlin I took part in the 24h comics event, and last but not least I arranged an exciting audio-gustatory-olfactory-sensory-visual performance together with my mum and my sister at the lovely FIGO. (There will be a report soon …)
Here we pose with Mussolini.
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EMOTING OF 2011
Basically I taught myself to accept that I might have bizarre feelings for bizarre people and that it’s all okay if I say so (and if someone says otherwise that’s their problem), and that those feelings are just a sidetrack, anyway, and that I should center my life around the most important thing, which is drawing my comics, and the things that are necessary for being able to draw comics, which is earning just enough money from dayjobs, and having a place where I can be alone and in peace and focused.
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DISAPPOINTING OF 2011
The rainy summer. Not much solar power. Rotting tomatoes. Weird spinach, carrots and radishes. ;_;
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SURPRISING OF 2011
I finally tracked down my object of obsession – the piggy in the bathtub!!!! Unbelievable.
And maybe most surprising of all, I decided I’m going to learn to play the dombra. Maybe it’s my 30 years crisis. I’ve never learned to play any instruments properly, but I’ve always kind of wanted to, and yet I’ve been making stupid excuses as for why not. I’ve ordered a dombra now, but it’ll take a month or two until I get it. :3
Dinner and a Story, December 29th at FIGO
This will be an evening that stimulates all senses equally. The three course dinner is an integral part of an audio-gustatory-olfactory-sensory-visual performance … And it will all be pleasant, so don’t worry.
We will also present some exciting hand crafts made by my mum, textile artist and book binder, as well as some comic books by myself and my sister. Perfect for those christmas gifts that you forgot to buy, or whatever. V^(oo)^V
We’ll charge 10 € for the full experience, including non-alcoholic drinks. (Alcoholic drinks are extra.)
Seating during the performance is limited, so please email me or click “attending” at the facebook event page! (But you can of course drop by later on to just hang out.)
Kimchi with my weird napa cabbage
It grew slowly in my greenhouse from June to December and ended up looking like this. O_o
It was pretty unhappy most of the summer. In the fall it perked up a bit, but then I couldn’t be around much and tend to it. I’m kind of surprised that it survived at all. Maybe if I’d have watered and fertilized it more during October-December, it would have grown nice big heads.
Now it grew cute little heads instead. :3
I don’t like napa cabbage in anything but kimchi, but then again, I like kimchi very much … People claim it’s one of the healthiest things you could possibly eat, you can eat it with almost anything, and it’s really easy to make at home.
Here is my recipe:
Cut the cabbage in smaller pieces and soak in water (just enough to cover it) and sea salt (or “kosher salt”).
Cover and soak overnight. That will start the fermentation process.
Pour out the water and wash the cabbage. It’s good if it’s still wet and there’s water in the bowl, as that will make brine, the watery stuff in the kimchi. I like to use kimchi brine in salty pancakes. :3
You can pretty much chop up any vegetables you like and put them in the kimchi.
Here is what I added now:
* Carrots
* Scallions
* Fresh ginger
* Garlic (lots)
* Chili pepper flakes
Then mix them all gently with your hand(s). Taste to see if you would like more of something (maybe salt?).
When it’s good, take clean glass jars and wash them again with boiling hot water.
Then put the kimchi in the jars. You will have to press it down in order to fit as much as possible in the jar. Then distribute the remaining liquid evenly among the jars, and close the lids tightly.
Store in the fridge and let them sit and ferment a bit for a couple of days before eating. (Of course you can also eat part of the kimchi fresh … I do. In fact, right now I’m having some in the vegetable soup I just made.)
Normally I make a much bigger batch of kimchi, but this was my extra special weird home grown napa cabbage. It all fit in one jar. :3
NERDINESS OF 2011 ASSESSED

In July 2007 I counted how many pages and panels of comics I had drawn in my life. In December 2009 I counted how much I had drawn since then, and pledged to double my yearly average and draw 87 pages until the next December 9th. One year ago I pledged to double that average again and draw 174 pages …
How did it go?!
Rapport från Göteborgs seriefestival 2011
(English version if you click through the photos here on flickr. V^(oo)^V)

(Foto från Blå Ställets facebooksida! Med mig och Johan Ragnarsson från Svenska Superserier.)
24-26 november ägde den allra första upplagan av Göteborgs seriefestival rum. Den hölls på Blå Stället i Angered, i väldigt fina och rymliga lokaler, dock möjligen med nackdelen att vissa borgare och rasister kanske inte vågar åka ut till de nordöstra förorterna … :op
Jag själv har bott i en av dessa förorter (Hjällbo), och gått på Angeredsgymnasiet, som är en del av samma byggnadskomplex med Blå Stället, så jag tycker att det är helt fantastiskt roligt att Marcelo Romero har tagit initiativet till en seriefestival just där!
DRIFTWOOD CH. 9 P. 23-26
Read Driftwood chapter 9, page 23-26 …
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101 down, 71 to go. V`(oo)´V
(Now I’m on Driftwood page 29, and I did a 32 page 24 h comic, which I will hopefully post soon … But it’s only three days until the end of this exercise. I guess I could spend those three days drawing 71 pages. I don’t doubt that I could do it, and it would perhaps make my life seem somehow meaningful. V`(oo)´V But then, I could also not spend the next three days drawing 71 really crappy pages, and just admit that I failed and move on. Hmmmm …)
P.S. There will be a report on the Gothenbug comics festival soon! I’ve just been kind of exhausted since my return. x_X
Förberedelser inför Göteborgs seriefestival :3
Hejdå Berlin!
Kvällen innan mitt flyg till Göteborg kopierade jag upp en jävla massa fanzin i min favoritcopyshop nära Eberswalder Straße (“Vildsvinsskogsgatan” – ursprungligen en väg som ledde till staden Eberswalde norr om Berlin [där jag förstås skulle vilja bo]).
Sen bigade jag och sydde och skar till dem här hemma hos min mamma. Eftersom jag inte orkade släpa med mig min feta häftapparat sydde jag fanzinen istället. Så om du nånsin köper ett fanzin av mig som är sytt med röd och blå tråd vet du att det ursprungligen var specialgjort för Göteborgs seriefestival. :3
Jag hade egentligen hoppats på att ha Tunguska #10 klar nu, men så ville det sig inte … V`(oo)´V
Dock var jag med på 24-timmarsserien i Berlin förra helgen, och producerade The Muggers — den hafsigaste serien jag nånsin tecknat!! Whee … Det märks att jag ritade de 32 sidorna på bara 17 timmar — bland annat så har sidorna 12 och 13 nästan identisk layout, vilket är extra bra i och med att de är på samma uppslag. Dock är storyn inte alls dålig (den får i alla fall mig att skratta ihjäl mig).
Jag tecknade den på engelska, och hann inte översätta den till svenska, men det kanske inte hindrar folk från att vilja läsa den … :3
Göteborgs seriefestival går av stapeln på torsdag nästa vecka på Blå Stället i Angered (kulturcentrum och gymnasieskola i ett). Det torde komma ett schema med alla workshops, seriebattles, presentationer och paneldiskussioner snart.
Under alla dagar (torsdag-lördag) kommer det definitivt att vara fanzin- och bokmarknad (i matsalen), och där hittar du mig! Jag kommer att sälja mina fanzin och så klart även min bok Eva ♥ Asbesthjärtan.
Dessutom kommer jag att ställa ut en del av kapitel 9 i min serie Drivgods – mer än vad som har publicerats hittills på nätet, och dessutom på svenska. :3
Det känns helt sjukt och jätteroligt att delta i en seriefestival på mitt gamla gymnasium. V^(oo)^V
Annars hänger jag mest bara med min morsa och hennes katter, och jobbar med mina dayjobs härifrån.
Tinet’s event schedule – winter 2011
12th-13th of November: 24h Comics Marathon Berlin
In a haze of coffee and club mate, we’ll draw our asses off at lashopp in Friedrichshain, from noon to noon!
24th-26th of November: Gothenburg Comics Festival
I will partake in this festival in my favourite part of my favourite Swedish city with a small exhibition, featuring part of the final chapter of Driftwood. That comic is quite significantly influenced by the period when I lived in Hjällbo and went to high school in the same building complex where the festival is held. I’ll also sell some books and zines to the unsuspecting audience.
Late December: Still nameless “dinner performance” at Figo, Berlin
The Elmgren family will unite, with technical and emotional support by Ilan Katin, in a performance that speaks to all the five human senses. (And maybe also the 6th sense!?) We will serve a three course dinner of traditional food from three ethnic minorities of Finland, accompanied by an audiovisual performance in three chapters. Our arts, textile and book binding crafts and comics will be exhibited and for sale. More details to follow!
DRIFTWOOD CH. 9 P. 21-22
Read Driftwood chapter 9, page 21-22 …
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66 down, 106 to go. V`(oo)´V
(Now I’m on page 26 … Doing a bit of a штурмовщина until the Gothenburg comics festival, so I can exhibit as much as possible from this chapter. Sadly there is no way I’ll have the entire chapter and thus a new zine finished by then … (;_;)
Things look a bit disappointing overall for this “quantity, not quality” exercise, too, but November 12th will be the Berlin 24h comics day. I am tempted to see if I can draw more than 24 pages in 24 hours!!??! If I do one panel per page, like many other artists do to cope with the time restraint of 24h comics, it should be a piece of cake, right? V^(oo)^V (For not page-formatted comics, the official rules say: at least 100 panels.) That should be an interesting exercise in form, too, since I’ve never drawn a comic like that before … Well, we’ll see.)































